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2024-07-13 02:45 pm

Leonid Bronevoy on Stalin

My sudden emergence from Dreamwidth retirement is thanks to a rewatch of 17 Moments of Spring, which led me to this 2014 newspaper interview with Leonid Bronevoy (aka Gestapo Müller) about Stalin and the Soviet Union. Given the current state of affairs in Russia, it is perhaps just as well for Bronevoy that he died in 2017.



"Everything that happened in the Soviet Union, even in the most terrible fairy tales, is a horrible, absurd, horror film that dragged on for 70 years: so heavy that we still haven't come away from watching it and can't get used to any other picture.

Just pay attention: how many people know about the atrocities in Stalin's camps, about the barges that were flooded with dissidents, about the shootings right at workplaces, about the millions of orphans - children of enemies of the people - and yet there are those who want to call Volgograd Stalingrad again, or go to the rallies of the Communist Party, which Yeltsin failed to ban only because vodka got in the way, and shout: "Stalin! Stalin!"

Fools, do you even know what you're shouting? I'll tell you a terrible thing: even Hitler is better than Stalin! Yes, yes, and although I hate Hitler, I respect him half a gram more, because at least he didn't touch his own Germans, but this fellow mowed down everyone: Ossetians, Georgians, Russians, Ukrainians....

And decades later we have someone like Zyuganov, trying to prove to many millions of people that Stalin is more precious and valuable than Pushkin, because he did more ...

I wanted to be heard! It's not only necessary to remind ourselves how the system, which we still glorify and praise, poisoned people (at best - killed, at worst - forced others to kill), it is absolutely necessary! So that there's no going back to it, so that not even a single thought arises in anyone's head that it was good there, in that time! - Well, what can be good when half the country is in jail, and the other half are jailors?

By the way, those who were jailors are still alive - those who were in jail are almost extinct, but I, whose childhood was spoilt, whose birthplace - Kiev, the most beautiful of cities - was poisoned, and who have memories of how our family was scattered all over the Soviet Union (my father cut down trees in Kolyma, my mother wandered around towns and cities, and I wandered barefoot all over the place)*, have always said and will always say: don't you dare, don't you dare yearn for hell - you should remember good, not evil!

All our troubles, by the way, come from the fact that we do not remember the good. For example, what did those who fought get for this victory, who needs them as a result? Seven or 10 years ago on TV, a programme filmed in Russia and Germany showed an old front-line soldier lying without legs in a smoke-dirtied corner, with hideously ugly prosthetics lying around (who made them?), and then - Munich, a cosy house, flowerbeds, sandy paths... On one of them an old man is walking briskly to his Mercedes - a former Wehrmacht soldier: you can't tell that he's lost both of his legs! So who won, you ask, us or them?

Or our comrade Stalin and all the subsequent comrades and gentlemen, who absolutely do not care about the fact that people's health was ruined by the war, all so that they can now drive around in expensive cars and buy watches that cost hundreds of thousands of dollars?

During the war years, we, the ragged, hungry, louse-ridden, weak and wretched, were sheltered in the Central Asian republics. Uzbeks, Kazakhs and Tajiks took the evacuees into their homes and shared their last bite of food with them, and now in Moscow their children and grandchildren aren't considered human, and in Kiev, I'm sure, where they hardly ever see them, they sniff squeamishly and call them by this humiliating name "guest workers". And why don't Russians - I ask - pay back the "guest workers" for helping the evacuees, why don't they compensate them with money from the oil? Did they [the "guest workers"] not spend money on us then, or does anyone think that sweeping streets and plastering walls is the only thing these "guest workers" are good for? If so, then we, the victors, are no better than the Nazis who divided nations into superior and inferior ones - worthy children of the Father of the Nation, either way....

I have no right to give advice on how to live; after all, I don't know how myself. Anyone and everyone can reproach me with the fact that I received prizes, awards and titles in the USSR, that my father was one of the most cruel investigators of the Kiev OGPU, sadistically interrogating people, beating money and testimonies out of them... I can't change the path I've travelled or my biography, but I'm convinced that you can't go back to the past, and no order, no gain in the world is worth the price of a single tear from a person you've hurt.

I am grateful that I could speak out, and that I was heard, and if others hear and understand, it means that everything was not in vain - our meeting, our conversation, and life itself..."**

The interview is from the BULVAR GORDONA newspaper, No. 48 (500) December 2014, but I found it here on DW: https://systemity.dreamwidth.org/4420456.html (translated by DeepL and then tinkered with by me to make the English flow better).

* According to Wikipedia, Bronevoy and his mother were evacuated to Soviet Kazakhstan during the war; he subsequently went to drama school in Tashkent, Uzbekistan, so he knows what he's talking about when he mentions the kindness shown by the Central Asian Republics to evacuees. I can confirm via my Tajiki friend Akbar that Bronevoy is also correct when he describes the Russian treatment of guest workers from these countries.

** Wikipedia further informs me that "His [Bronevoy's] name appeared on a petition against the Russian annexation of Crimea. However, he told TASS that his name was placed without his permission, adding that he supported Vladimir Putin and Russian actions in Crimea." Obviously I'm not in a position to say which of these actions reflected Bronevoy's true feelings on the matter.

And finally, a picture of Bronevoy in his iconic role as Gruppenführer Müller of the Gestapo.


azdak: (Default)
2022-10-27 11:01 pm
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Nif Fic: The Care and Feeding of Snow Beetles

A while ago I realised that one reason why I find writing post-canon NiF fic so hard is that I'm only really interested if Mei Changsu is still alive. There are, of course, numerous excellent fix-it fics out there, but it seems like cheating to use someone else's idea, so here is my own explanation of how yet another branch in the many-legged trousers of time was opened up.


Title: The Care and Feeding of Snow Beetles
Fandom: Nirvana in Fire
Word Count: 3710
Location: AO3
azdak: (Default)
2022-06-04 06:14 pm
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She, she is dead; she's dead; when thou know'st this, Thou know'st how dry a cinder this world is.

I found out last night that [personal profile] legionseagle has died and these lines from Donne have been going round inside my head all day. Obviously, my sense of loss is nothing compared to the people who actually knew her. We were friends on Dreamwidth and I never met her in real life, or knew what she looked like, and I wasn’t entirely sure what her real name was. But I admired her enormously – her brilliance, her fierce intelligence, her fantastic fic – she was that rare beast, a fic writer who can not only write beautiful lines but also knows how to plot - and inextricably mixed in with all that, her courage, not only as a sailor (never in a million years would I wanted to face the hair-raising adventures she related so entertainingly), but in her online life, her willingness to put up a fight, to stand up to the scummier denizens of the internet and say what she believed without fear or favour.

For those of us who live part of our lives in fandom, a towering presence like [personal profile] legionseagle, who left her mark on every fandom she engaged with, plays a significant part in shaping our fannish world. I read a great deal of her fic (probably not all of it, she was an enviably prolific writer and her DW entries alone run to the hundreds), I even tread stories based in fandoms I wasn’t keen on. Harry Potter never caught my imagination, but I read all her LoPiverse stories because they were so damned well-written. Not only could she plot like a demon, she had an ear for a turn of phrase and psychological insight that could cut like a knife. Who cares if the original characters weren’t all that captivating when you’ve got that on offer? Sherlock was another fandom I never got into, despite watching some of the episodes, but I read every new volume in her Gondal saga which fused, amazingly, the Bronte children’s fantasy worlds with Sherlock. And why not? It was only one of the ways she broadened my fannish horizons, showed me the limitless possibilities of fic.

I watched my first ever k-drama because of the review she wrote of The King: Eternal Monarch, and my second, Hotel del Luna, for the same reason. When I discovered she was writing Nirvana in Fire fic, I was over the moon. A Long-Expected Party, co-written with [personal profile] caulkhead, will always hold a special place in my heart and on my bookshelf, it’s the kind of fic that makes you both giddy with delight to be reading something so utterly hilarious and wonderful and joyous, and at the same time plunges you into black despair because you know you’ll never write anything as good yourself.
And now, suddenly, she’s gone and there will no more fic, no more reviews, no more fists and feminism and rollicking sailing stories. And without her the world is so much drier a cinder.
azdak: (Default)
2022-04-02 11:36 pm
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(no subject)

This is niche interest, I know, but oh gosh, Kirill Gordeev and Drew Sarich in a concert version of "Die Schatten werden länger" from "Elisabeth" is not what I was expecting to find on Tumblr today. I really dislike the way the interaction between Death and Rudolph has to be staged in the musical theatre versions, so the concert-ness of this one is frankly an improvement, and boy, does it make a difference to have an actual star performing Rudolph, as opposed to the weedy and unattractive ones we usually get. The sound quality is sadly terrible, though.

azdak: (Default)
2021-12-10 03:41 pm

Translation question

In a Bridgerton-esque Central European country where the correct form of address for a baron is "Baron", would it be okay for the characters to address him as such in the English translation or would that make them sound like Americans who don't understand English titles? And specifically in a sex scene, does "Oh, Baron!" sound all right? (It's a screenplay that will be read by London-based producers).
azdak: (Default)
2021-11-28 05:09 pm
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The Story of Yanxi Palace

The Story of Yanxi Palace is that rare beast, a historical c-drama that puts women, their lives and their relationships with other women front and centre and expects you to be interested.
Read more... )
azdak: (Default)
2021-11-03 12:13 pm
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NiF vid rec

Great Nirvana in Fire vid here on AO3: Secret
azdak: (Default)
2021-10-22 10:37 am

The Book of Koli

I've been having trouble going to sleep recently and had the suspicion that it might have to do with watching k-dramas on my laptop shortly before bedtime. In the hope that reading wouldn't have this effect, I downloaded The Book of Koli onto my Kindle and started that instead. With the result that I was still reading at 1am. It's great to have found a book I can't put down but it wasn't actually the effect I was aiming for! Possibly struggling with something in Swedish would have a more soporific effect. But anyway, The Book of Koli: right up my alley, so heartfelt thanks to the poster who recced it.
azdak: (Default)
2021-10-15 06:57 pm

(no subject)

In my last post asking for k- and c-drama recs, I mentioned a Taiwanese series I'd enjoyed called One Day or Some Day. It turns out the title is actually Some Day or One Day and [personal profile] whimsyful has a good, not-really-spoilery review here that explains why it appealed to me in when I was unable to do so myself. She also kindly provides a link in the comments to a very thoughtful blog post about the show https://invisibledragon.home.blog/2020/02/22/the-past-is-another-country-someday-one-day-episode-13/, although this IS spoilery and therefore should be saved till after watching.
azdak: (Default)
2021-10-03 11:23 am

Help! Shows wanted!

Having recently emerged from Winter Begonia, I find myself in urgent need of another 40+ ep show to get addicted to. Unfortunately, I can't seem to find anything that lives up to Winter Begonia - everything I've tried has been trite in comparison, and I'm afraid I'm giving up on good shows I would enjoy simply because they aren't as much my cup of tea (and honestly, very few things are as much my cup of tea as genius opera singer in Japanese-occupied wartime Beiping. I would say more but I'm currently working out my thoughts and feelings via the medium of fic). Does anybody have any suggestions? C-dramas I've watched and loved are (in descending order of awesomeness):

Nirvana in Fire
Winter Begonia
The Story of Minglan
Joy of Life

Honourable mention to:
One Day or Some Day

Ditto for k-dramas:

Mr Queen
Vincenzo
Hotel del Luna

Honourable mentions to:
The King: Eternal Monarch
The Tale of Nokdu

Shows I've watched but wasn't enthralled by/bounced off after several episodes are: NiF2, Rise of Phoenixes, Sleuth of the Ming Dynasty, Word of Honour, Imperial Coroner, To Get Her, Oh My General, Rookie Historian, Crash Landing On You, Descendants of the Sun.

Given this guide to my personal tastes, does anyone have any suggestions for meaty, well-made, character-driven shows that have more going on in them than just romance/BL and let the female characters (occasionally) do plot-relevant stuff?
azdak: (Default)
2021-09-28 05:53 pm
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What's in it for me?

Nirvana in Fire spoooiiiileeeers

Read more... )
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2021-09-03 02:31 pm

She Who Became The Sun and tangential thoughts

Like many people, I have now read Shelley Parker-Chan's She Who Became The Sun. In her foreword, Parker-Chan says the story is based on "wildly addictive Chinese costume dramas" and it really shows. Had I read this two years ago, I would have found it enchantingly exotic, but with two years of wildly addictive Chinese costume dramas under my own belt, what it actually felt like was coming home. There is a even a blink-and-you'll-miss-it reference to Daliang! Unlike all those c-dramas, though, She Who Became The Sun gives female c-drama audiences what they really, really want, namely a heroine who gets to do all the stuff normally reserved for men. Is it a perfect book? Well, I could have done with less sex and an awful lot less epic manpain, but I'm aware that for many readers these will be features and not bugs. More irritatingly (from a reader's pleasure point-of-view) I had a real suspension of disbelief problem when it came to the heroine passing as a man once she reached adolescence. The narrator mentions that she starts "bleeding" but we are given zero information about how, in a monastery surrounded exclusively by men and boys, she manages to wash her stained underclothes and bedclothes or even the rags she presumably uses to mop up the Curse of Eve. This problem must become even more acute when she becomes commander of an army, who would certainly be spotted if he regularly had to sneak out of camp in the middle of the night to wash his own clothes. It is my headcanon that General Mu Nihuang*, when in the field, avails herself of one of the numerous Chinese poisons (probably with a poetic name like the Poison of the Darkened Moon) to avert menstruation, but if this is Zhu Chongba's solution, there is no mention of it in the book.

Periods, with their messiness and ickiness and complete separation from the will of the person experiencing them, would be blindingly unfair as it is without men weaponising them to gatekeep their own superior social status, but men being what they are, this is exactly what they do. It was therefore with a sense of incredulous joy that I read this article in the Guardian about period pants. Dazzled by the prospect of freedom being dangled before me, I rushed online to order some for my daughters (since I am, thank God, no longer in need of them myself), only to discover that Marks and Spencer's was (unsurprisingly) completely out of stock, so I had to order them from Modibodi. If they work as well as the article claims, I shall report back!

*Today I read on the internet that that godawful scene where Nihuang gets jealous of Gong Yu was the brainchild of Hu Ge, who thought it would make Nihuang more "womanly". So now I'm in the sad position of having to hate Hu Ge.
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2021-08-24 10:49 am

Fic: Deceiving the Emperor

A while back, I watched The Rise of Phoenixes, which has a truly excellent heroine but is severely let down in the plot department. It impelled me to write a very short fic with a suggested improvement to at least one plot strand, but I never posted it because I couldn't remember the name of the minor character who rats the heroine out to the Emperor, and I couldn't be arsed to look through 70 episodes in order to find out . Today I rediscovered the fic and realised that the minor character works perfectly well without his name, so here is the fic. You don't have to know anything at all about The Rise of Phoenixes to understand what's going on, and while technically it's spoilery, the original scene goes quite differently.

Title: Deceiving the Emperor
Fandom: The Rise of Phoenixes
Word Count: 321
Location: AO3
azdak: (Default)
2021-06-20 05:02 pm
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Meta

For the first time in goodness knows how many years, I have felt the urge to commit meta. It was "Vincenzo" that drove me to this unusual action and the results can be found on AO3. Spoilers, naturally.

Title: Lord of the Underworld: Metaphor, Metaphysics and the Mafia in "Vincenzo".
Location:AO3
azdak: (Default)
2021-04-22 01:41 pm
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Sudden unexpected recognition

It has taken a post on Tumblr to make me realise that Gu Seung-jun in Crash Landing on You is played by the same actor as King Cheoljong in Mr Queen. In my defence, he looks very different.



Gu Seung-jun




Cheoljong
(that's the titular queen behind him, being her usual ultra-feminine self)
azdak: (Default)
2021-03-05 02:50 pm
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Mr Queen gifset

Click on the link for a non-spoilery gifset that nonetheless conveys a lot of the flavour of Mr Queen.

Mr Queen gifset
azdak: (Default)
2021-02-23 07:47 pm
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Mr Queen

I'm absolutely loving "Mr Queen" (subtitle "The Joseon Queen Consort Runaway Soul Scandal"), a Korean historical comedy about a celebrity chef, Jang Bong-hwan who transmigrates into the body of a Joseon queen, Cheorin, the night before her wedding and now has to navigate the dangers of the palace as a trans man with only his knowledge of history books (his mother was a history teacher) to help him. He is absolutely terribly at this, but in fairness he's very far from being the only one who isn't what he seems. In this game of masks and intrigue, all the characters have their own individual narratives about what's going on, what ought to be going on, the rightness of their own contribution to events and the motives of those around them, and obviously, when it comes to Queen Cheorin, these narratives are completely and utterly wrong, but at the same time Jang Bong-hwan, relying on a rudimentary knowledge of history and entirely too selfish to consider anyone else's perspective, gets their inner lives just as wrong. At times it's like watching characters from two different films collide, to hilarious effect. While those around him are scheming to gain power/save the country/ off their rivals/save their true love, Jang Bong-hwan's main goal is to return to his old life and get his dick back, and until that happens he has the subsidiary goals of (1) staying alive, (2) getting off with the king's extremely fanciable and virtuous concubine and (3) absolutely, definitely NOT sex with the king, despite having promised the Grand Dowager to conceive an heir within 7 days (see (1)). Shin Hye-sun turns in an amazing performance as Jang-Bong-hwan-in-the-body-of-Queen-Cheorin (if you have ever felt frustrated by the restrictions and passivity imposed on Asian heroines, this performance was created specially for you) and the plot serves up a near endless succession of delightful twists and turns, genuinely funny comic moments, affectionate satire of k-drama genre conventions and a great deal of Schadenfreude as Jang Bong-hwan is gradually forced to come to terms with living as a Joseon-era woman. I'm on episode 6 and so far it comes second only to Nirvana in Fire in terms of sheer enjoyability.
azdak: (Default)
2020-11-21 04:02 pm

A poor wayfaring stranger

Yesterday I started reading a book, which was prefaced with the lyrics to a song that began "I am a poor wayfaring stranger..." As I read the lines, which I didn't initially recognise, a tune popped into my head, a tune that was clearly the proper tune for these particular lyrics, and for a moment I was thoroughly bewildered as to how I could know the tune when I didn't know the song. And then The Broken Circle Breakdown exploded into my memory and I remembered the songs, I remembered ALL the songs, and I spent most of this morning greedily hunting them down on Youtube and wallowing in them. And I slowly came to the realisation that enough time had passed that I could face watching it again. More than that, I actively wanted to.

The Broken Circle Breakdown is a Belgian film that came out in 2012 and is described by the IMDB as follows: "An intensely moving portrait of a relationship from beginning to end, propelled by a soundtrack of foot-stomping bluegrass, The Broken Circle Breakdown is a romantic melodrama of the highest order." Well, that's one way of putting it. "Of the highest order" is certainly correct - the film was nominated for the Best Foreign Language Film Oscar, but was up against Michael Haneke's Amour - but rather than "intensely moving" I would call it desperately, desperately sad. It's the saddest film I've ever seen. Even sadder than Amour. As Amour is about an old man deciding to kill his beloved wife after she has a stroke, you can see that this is very sad indeed. When we saw The Broken Circle Breakdown at the cinema, we felt entirely unable to recommend it to any of our friends, even though it's extraordinarily good, because it's so bloody sad we were afraid they would never forgive us. I did eventually recommend it to my eldest daughter when it cropped up on Nextflix; she watched it once, wept buckets, said it was wonderful and she would never, ever be able to watch it again.

It started life as a play called The Cover-Ups of Alabama, which isn't a traditional play (having just seen The Boys in the Band, whose theatrical origins as a Well-Made Play are creakily apparent, I feel this is an important point to make) but one that uses narration as well as dialogue and jumps about in time and space, with the songs providing the emotional backbone of the story. It was written by the lead actors (the female lead got dumped for a more photogenic actress when it came to casting the film; the male lead was retained, possibly because the musical input came primarily from him - he DJs a very niche but successful bluegrass radio show - but also because beauty is considered less important in a male lead. An oil painting he ain't) and was performed in odd settings like deconsecrated churches. I say all this to make it clear that, despite the double standards in beauty, this is a story that really matters to the people telling it, and that they are people who care about things like art and truth, and all of this shows in the final product.

So, the story: two Belgians, a tattoo artist and a bluegrass musician with an obsession with the USA, meet, fall in love, are about as successful as a bluegrass band in Belgium can possibly be, and then go through an agonising break-up after (here be SPOILERS)
Read more... )
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2020-10-27 05:15 pm

The Rise of Phoenixes

I've started watching "The Rise of Phoenixes" (which, as a big plus, is available on Netflix, so not constantly interrupted by annoying ads) and so far it's really, really good. It remains to be seen whether it will give me all the feels of "Nirvana in Fire" but it has top-notch acting, beautiful aesthetics, and finally - finally! - women with real agency who actually get to provide input to all the plotting alongside the men, as well as being dab hands with a sword. The actress who plays Consort Jing is Our Heroine's mother and she must have had a whale of a time in this one, not stuck in a palace brewing medicinal teas but shaping the fate of an empire. So far, the writing is very good, but as I'm only on episode 7 of 70, I shall withhold judgment on that aspect - "The Story of Minglan" let me down very badly in its final episodes, so I've learned to be cautious about enthusing too soon, but thus far the story has been gripping and the pacing very good.

Prince Ning Yi, the youngest son of the Emperor of a usurping dynasty, has been imprisoned in a temple since the age of 18 when he did something Very Bad, or possibly his father did something Very Bad, and certainly his oldest brother, the Crown Prince ("taizi-gege"), did something Very Bad ten years before that. Ning Yi has spent his time in exile becoming an expert in weaving, an art generally looked down on as women's work, and on gaining his release spends a lot of his time in brothels pretending to be a tailor while picking up vital gossip and scheming with friends. His long-term goal is revenge/justice for his murdered older brother, Ning Qiao, who appears to have been collateral damage when the Very Bad things went down, but unlike Prince Jing, he doesn't have a strategist at his side to do the dirty work for him, so he has to do both the strategising and the wetwork himself. Luckily, he has loyal friends and servants to help, but matters are complicated by a love interest who is up to her neck in intrigue, not to a mention a connection to the supposedly dead son of the usurped emperor.



Photo: Qiu Mingying. This is what "Nirvana in Fire" never gave me. Now I can die happy!
azdak: (Default)
2020-10-16 09:27 am
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Noble Souls

I have written an unexpectedly lengthy piece of Nirvana in Fire outsider perspective fic - it isn't at all angsty, because it turns out NiF itself is so good at fulfilling all my angst and pining needs, it doesn't leave space in my head for angsty fic.

Title: Noble Souls
Summary: Lin Shu's family watch the events of Nirvana in Fire from the afterlife
Author: Azdak
Rating: Gen
Length: 10,000 words
Genre: Humour
Location: on AO3.