azdak: (Default)
posted by [personal profile] azdak at 02:45pm on 13/07/2024 under ,
My sudden emergence from Dreamwidth retirement is thanks to a rewatch of 17 Moments of Spring, which led me to this 2014 newspaper interview with Leonid Bronevoy (aka Gestapo Müller) about Stalin and the Soviet Union. Given the current state of affairs in Russia, it is perhaps just as well for Bronevoy that he died in 2017.



"Everything that happened in the Soviet Union, even in the most terrible fairy tales, is a horrible, absurd, horror film that dragged on for 70 years: so heavy that we still haven't come away from watching it and can't get used to any other picture.

Just pay attention: how many people know about the atrocities in Stalin's camps, about the barges that were flooded with dissidents, about the shootings right at workplaces, about the millions of orphans - children of enemies of the people - and yet there are those who want to call Volgograd Stalingrad again, or go to the rallies of the Communist Party, which Yeltsin failed to ban only because vodka got in the way, and shout: "Stalin! Stalin!"

Fools, do you even know what you're shouting? I'll tell you a terrible thing: even Hitler is better than Stalin! Yes, yes, and although I hate Hitler, I respect him half a gram more, because at least he didn't touch his own Germans, but this fellow mowed down everyone: Ossetians, Georgians, Russians, Ukrainians....

And decades later we have someone like Zyuganov, trying to prove to many millions of people that Stalin is more precious and valuable than Pushkin, because he did more ...

I wanted to be heard! It's not only necessary to remind ourselves how the system, which we still glorify and praise, poisoned people (at best - killed, at worst - forced others to kill), it is absolutely necessary! So that there's no going back to it, so that not even a single thought arises in anyone's head that it was good there, in that time! - Well, what can be good when half the country is in jail, and the other half are jailors?

By the way, those who were jailors are still alive - those who were in jail are almost extinct, but I, whose childhood was spoilt, whose birthplace - Kiev, the most beautiful of cities - was poisoned, and who have memories of how our family was scattered all over the Soviet Union (my father cut down trees in Kolyma, my mother wandered around towns and cities, and I wandered barefoot all over the place)*, have always said and will always say: don't you dare, don't you dare yearn for hell - you should remember good, not evil!

All our troubles, by the way, come from the fact that we do not remember the good. For example, what did those who fought get for this victory, who needs them as a result? Seven or 10 years ago on TV, a programme filmed in Russia and Germany showed an old front-line soldier lying without legs in a smoke-dirtied corner, with hideously ugly prosthetics lying around (who made them?), and then - Munich, a cosy house, flowerbeds, sandy paths... On one of them an old man is walking briskly to his Mercedes - a former Wehrmacht soldier: you can't tell that he's lost both of his legs! So who won, you ask, us or them?

Or our comrade Stalin and all the subsequent comrades and gentlemen, who absolutely do not care about the fact that people's health was ruined by the war, all so that they can now drive around in expensive cars and buy watches that cost hundreds of thousands of dollars?

During the war years, we, the ragged, hungry, louse-ridden, weak and wretched, were sheltered in the Central Asian republics. Uzbeks, Kazakhs and Tajiks took the evacuees into their homes and shared their last bite of food with them, and now in Moscow their children and grandchildren aren't considered human, and in Kiev, I'm sure, where they hardly ever see them, they sniff squeamishly and call them by this humiliating name "guest workers". And why don't Russians - I ask - pay back the "guest workers" for helping the evacuees, why don't they compensate them with money from the oil? Did they [the "guest workers"] not spend money on us then, or does anyone think that sweeping streets and plastering walls is the only thing these "guest workers" are good for? If so, then we, the victors, are no better than the Nazis who divided nations into superior and inferior ones - worthy children of the Father of the Nation, either way....

I have no right to give advice on how to live; after all, I don't know how myself. Anyone and everyone can reproach me with the fact that I received prizes, awards and titles in the USSR, that my father was one of the most cruel investigators of the Kiev OGPU, sadistically interrogating people, beating money and testimonies out of them... I can't change the path I've travelled or my biography, but I'm convinced that you can't go back to the past, and no order, no gain in the world is worth the price of a single tear from a person you've hurt.

I am grateful that I could speak out, and that I was heard, and if others hear and understand, it means that everything was not in vain - our meeting, our conversation, and life itself..."**

The interview is from the BULVAR GORDONA newspaper, No. 48 (500) December 2014, but I found it here on DW: https://systemity.dreamwidth.org/4420456.html (translated by DeepL and then tinkered with by me to make the English flow better).

* According to Wikipedia, Bronevoy and his mother were evacuated to Soviet Kazakhstan during the war; he subsequently went to drama school in Tashkent, Uzbekistan, so he knows what he's talking about when he mentions the kindness shown by the Central Asian Republics to evacuees. I can confirm via my Tajiki friend Akbar that Bronevoy is also correct when he describes the Russian treatment of guest workers from these countries.

** Wikipedia further informs me that "His [Bronevoy's] name appeared on a petition against the Russian annexation of Crimea. However, he told TASS that his name was placed without his permission, adding that he supported Vladimir Putin and Russian actions in Crimea." Obviously I'm not in a position to say which of these actions reflected Bronevoy's true feelings on the matter.

And finally, a picture of Bronevoy in his iconic role as Gruppenführer Müller of the Gestapo.


azdak: (Default)
posted by [personal profile] azdak at 11:01pm on 27/10/2022 under ,
A while ago I realised that one reason why I find writing post-canon NiF fic so hard is that I'm only really interested if Mei Changsu is still alive. There are, of course, numerous excellent fix-it fics out there, but it seems like cheating to use someone else's idea, so here is my own explanation of how yet another branch in the many-legged trousers of time was opened up.


Title: The Care and Feeding of Snow Beetles
Fandom: Nirvana in Fire
Word Count: 3710
Location: AO3
azdak: (Default)
I found out last night that [personal profile] legionseagle has died and these lines from Donne have been going round inside my head all day. Obviously, my sense of loss is nothing compared to the people who actually knew her. We were friends on Dreamwidth and I never met her in real life, or knew what she looked like, and I wasn’t entirely sure what her real name was. But I admired her enormously – her brilliance, her fierce intelligence, her fantastic fic – she was that rare beast, a fic writer who can not only write beautiful lines but also knows how to plot - and inextricably mixed in with all that, her courage, not only as a sailor (never in a million years would I wanted to face the hair-raising adventures she related so entertainingly), but in her online life, her willingness to put up a fight, to stand up to the scummier denizens of the internet and say what she believed without fear or favour.

For those of us who live part of our lives in fandom, a towering presence like [personal profile] legionseagle, who left her mark on every fandom she engaged with, plays a significant part in shaping our fannish world. I read a great deal of her fic (probably not all of it, she was an enviably prolific writer and her DW entries alone run to the hundreds), I even tread stories based in fandoms I wasn’t keen on. Harry Potter never caught my imagination, but I read all her LoPiverse stories because they were so damned well-written. Not only could she plot like a demon, she had an ear for a turn of phrase and psychological insight that could cut like a knife. Who cares if the original characters weren’t all that captivating when you’ve got that on offer? Sherlock was another fandom I never got into, despite watching some of the episodes, but I read every new volume in her Gondal saga which fused, amazingly, the Bronte children’s fantasy worlds with Sherlock. And why not? It was only one of the ways she broadened my fannish horizons, showed me the limitless possibilities of fic.

I watched my first ever k-drama because of the review she wrote of The King: Eternal Monarch, and my second, Hotel del Luna, for the same reason. When I discovered she was writing Nirvana in Fire fic, I was over the moon. A Long-Expected Party, co-written with [personal profile] caulkhead, will always hold a special place in my heart and on my bookshelf, it’s the kind of fic that makes you both giddy with delight to be reading something so utterly hilarious and wonderful and joyous, and at the same time plunges you into black despair because you know you’ll never write anything as good yourself.
And now, suddenly, she’s gone and there will no more fic, no more reviews, no more fists and feminism and rollicking sailing stories. And without her the world is so much drier a cinder.
azdak: (Default)
posted by [personal profile] azdak at 11:36pm on 02/04/2022 under
This is niche interest, I know, but oh gosh, Kirill Gordeev and Drew Sarich in a concert version of "Die Schatten werden länger" from "Elisabeth" is not what I was expecting to find on Tumblr today. I really dislike the way the interaction between Death and Rudolph has to be staged in the musical theatre versions, so the concert-ness of this one is frankly an improvement, and boy, does it make a difference to have an actual star performing Rudolph, as opposed to the weedy and unattractive ones we usually get. The sound quality is sadly terrible, though.

azdak: (Default)
posted by [personal profile] azdak at 03:41pm on 10/12/2021
In a Bridgerton-esque Central European country where the correct form of address for a baron is "Baron", would it be okay for the characters to address him as such in the English translation or would that make them sound like Americans who don't understand English titles? And specifically in a sex scene, does "Oh, Baron!" sound all right? (It's a screenplay that will be read by London-based producers).
azdak: (Default)
posted by [personal profile] azdak at 05:09pm on 28/11/2021 under ,
The Story of Yanxi Palace is that rare beast, a historical c-drama that puts women, their lives and their relationships with other women front and centre and expects you to be interested.
Read more... )
azdak: (Default)
posted by [personal profile] azdak at 12:13pm on 03/11/2021 under , ,
Great Nirvana in Fire vid here on AO3: Secret
azdak: (Default)
posted by [personal profile] azdak at 10:37am on 22/10/2021
I've been having trouble going to sleep recently and had the suspicion that it might have to do with watching k-dramas on my laptop shortly before bedtime. In the hope that reading wouldn't have this effect, I downloaded The Book of Koli onto my Kindle and started that instead. With the result that I was still reading at 1am. It's great to have found a book I can't put down but it wasn't actually the effect I was aiming for! Possibly struggling with something in Swedish would have a more soporific effect. But anyway, The Book of Koli: right up my alley, so heartfelt thanks to the poster who recced it.
azdak: (Default)
posted by [personal profile] azdak at 06:57pm on 15/10/2021 under ,
In my last post asking for k- and c-drama recs, I mentioned a Taiwanese series I'd enjoyed called One Day or Some Day. It turns out the title is actually Some Day or One Day and [personal profile] whimsyful has a good, not-really-spoilery review here that explains why it appealed to me in when I was unable to do so myself. She also kindly provides a link in the comments to a very thoughtful blog post about the show https://invisibledragon.home.blog/2020/02/22/the-past-is-another-country-someday-one-day-episode-13/, although this IS spoilery and therefore should be saved till after watching.
azdak: (Default)
posted by [personal profile] azdak at 11:23am on 03/10/2021
Having recently emerged from Winter Begonia, I find myself in urgent need of another 40+ ep show to get addicted to. Unfortunately, I can't seem to find anything that lives up to Winter Begonia - everything I've tried has been trite in comparison, and I'm afraid I'm giving up on good shows I would enjoy simply because they aren't as much my cup of tea (and honestly, very few things are as much my cup of tea as genius opera singer in Japanese-occupied wartime Beiping. I would say more but I'm currently working out my thoughts and feelings via the medium of fic). Does anybody have any suggestions? C-dramas I've watched and loved are (in descending order of awesomeness):

Nirvana in Fire
Winter Begonia
The Story of Minglan
Joy of Life

Honourable mention to:
One Day or Some Day

Ditto for k-dramas:

Mr Queen
Vincenzo
Hotel del Luna

Honourable mentions to:
The King: Eternal Monarch
The Tale of Nokdu

Shows I've watched but wasn't enthralled by/bounced off after several episodes are: NiF2, Rise of Phoenixes, Sleuth of the Ming Dynasty, Word of Honour, Imperial Coroner, To Get Her, Oh My General, Rookie Historian, Crash Landing On You, Descendants of the Sun.

Given this guide to my personal tastes, does anyone have any suggestions for meaty, well-made, character-driven shows that have more going on in them than just romance/BL and let the female characters (occasionally) do plot-relevant stuff?

July

SunMonTueWedThuFriSat
  1
 
2
 
3
 
4
 
5
 
6
 
7
 
8
 
9
 
10
 
11
 
12
 
13
14
 
15
 
16
 
17
 
18
 
19
 
20
 
21
 
22
 
23
 
24
 
25
 
26
 
27
 
28
 
29
 
30
 
31